Short-form editing
Reels · TikTok · Shorts
Hook moved up front, dead air gone, captions timed to the word. My best client reel sits at 4.7M views — vertical is where I live.
Reels · TikTok · Shorts
Hook moved up front, dead air gone, captions timed to the word. My best client reel sits at 4.7M views — vertical is where I live.
One episode → a week of content
I mine hour-long recordings for the moments worth posting, reframe them vertical, and caption them so they land on mute.
Full videos · Interviews
Chapters, b-roll where the story needs it, pacing that survives the ten-minute mark. Taken on selectively.
Talking-head · Ad-style
Raw, native-feeling cuts that don’t look like an ad — paced for the feed and built to survive the first three seconds.
Lessons · Modules
Clean, consistent lesson edits — synced slides, jump cuts on dead air, and a template that holds across the whole module.
Drag the handle — same clip, before grade and cuts vs. delivered.
A DM is enough. I ask about your audience and what a win looks like before touching footage.
Google Drive, WhatsApp, WeTransfer — whatever you already use. No upload portals.
A rough estimate — actual turnaround depends on scope and workload. Faster turnarounds are discussed upfront when needed.
Revisions depend on the project scope discussed beforehand, finals exported in every ratio — and I stay reachable after delivery.
Revisions depend on the project scope and the package we discuss before work begins. In most cases, one revision round is included for minor changes; larger revisions are discussed beforehand after reviewing the project brief and raw footage.
Raw footage and the goal. Brand fonts and colors help, but I can work without them.
It depends on length and volume. Tell me what you’re making and you’ll have a quote within 24 hours.
No. I’m in Mumbai (IST), and half my clients are in Dubai, Canada, Miami, and Australia. Async handoffs are the norm here.